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Library Associates Newsletter
Spring 2002- NEWSLETTER 63

IN THIS ISSUE

 

 
 
 
Jason Cowley and the Booker
 
Lepgold Gift
 
Food For Fines
 
Dr. Brown
 
Ribbon Cut
 
The Face of Music Revisited
 
Infrequently Asked Questions from the Desk of the University Archivist
 
Welcome
 
Reunion Weekend
 
From the Vault: Saint Peter's Cathedral in Rome
 
Hannah's Book Cover
 
Astor's College Diary
 
AJCU Conference
 
Munch at the High Museum

Hannah's Book Cover

Wilson book cover

Book cover of Harriet E. Wilson's Our Nig; or, Sketches from the Life of a Free Black

Vintage Books, a division of Random House, has chosen to reproduce a detail from Hannah Amidst The Vines, by Eastman Johnson, on the cover of their forthcoming paperback reissue of Harriet E. Wilson's 1859 classic Our Nig; or, Sketches from the Life of a Free Black, the first novel by an African American woman; with a new preface, an introduction, and notes by Henry Louis Gates, Jr. Prof. Gates is W.E.B. Du Bois Professorof the Humanities, Chair of Afro-American Studies, and Director of the W.E.B. Du Bois Institute for Afro-American Research at Harvard University; and one of Time magazine's "Twenty-Five Most Influential Americans" in 1997. This important painting from the Georgetown University Art Collection came to the publishers' attention through its inclusion in the exhibit Eastman Johnson: Painting America, organized by the Brooklyn Museum in 1999.

One of the preeminent masters of nineteenth-century U.S. genre, Eastman Johnson travelled to Germany to attend the popular Dusseldorf Akademie, and spent three years in The Hague carefully studying the composition and color of the seventeenth-century Netherlandish masters. Having previously mastered the skill of charcoal portraiture, he changed his subject matter after his return from Europe to traditional U.S. themes. His multi-figure scene, Old Kentucky Home - Life in the South (1859), for which he was elected to the prestigious National Academy of Design, inaugurated a series on rural southern African Americans. The Georgetown painting depicts a charming young girl in a naturalistic pose, leaning on a fence in an arbor with a string of grapes suspended from her mouth.