Detail from Eastman Johnson's Hannah Amidst the Vines giving to Georgetown University Library


Library Associates Newsletter
Spring 2006, Newsletter 79

Highly Decorated

Healy Hall Painting Renovations

Painting renovations in the Healy Hall Parlor Corridor, July 1987.

 

In honor of Georgetown University’s sixth annual Jesuit Heritage Week ( January 29 - February 5, 2006), the Library presented the exhibit Highly Decorated: The Work of Brother Francis C. Schroen, S.J. in the Kerbs Exhibit Area in Lauinger Library. Celebrating the artwork of Brother Francis C. Schroen, S.J. (1857- 1924), the exhibit featured photographs and documents from the University Archives and the Virginia M. Keeler Papers, and illustrated Brother Schroen’s decorative artwork in Healy Hall. Photographs, old and new, of Gaston Hall, Carroll Parlor, and Hirst Reading Room were included.

In the illustration photograph (above) included in the exhibit, an expert artisan works to restore the original paintings of Brother Schroen. In addition to the ceiling and borders of the entrance hall, Brother Schroen decorated adjacent rooms, including Carroll Parlor and the offices now used for Campus Ministry. According to Virginia M. Keeler, whose thesis topic was an in-depth study of Brother Schroen’s work, he carved the leaves freehand into the plaster. In her thesis she quotes Father Patrick Cormican, S.J., who explains that the decoration of the hall was an “introduction of the foliage of the most predominant species of trees which are the pride of the renowned college walks — the beech, the oak, the sycamore, the chestnut.” The walls of the hallway are now painted white, a change from the original blue, but the decorative paintings have all been preserved and restored.

Born in Bavaria, Francis C. Schroen, S.J. was brought to Baltimore by his parents as an infant. His father was a tailor and wished Francis to enter the same field. However, after Francis left school, he worked as a house painter, earning a reputation as a skilled decorator who specialized in the use of plastics. After a series of tragedies — the death of two of his children and then of his wife in childbirth — and financial setbacks, he applied for admission as a Jesuit lay-brother. Continuing his decorating work as a member of the Jesuit order, he became one of the most noted church decorators and painters of his time.

He lent his talents at Georgetown, Fordham, and Boston College, in the Cathedral of Kingston, Jamaica, and in the Church of the Holy Name of Jesus on the Loyola campus in New Orleans, among other places. Brother Schroen is buried in the Jesuit Community Cemetery on campus.

Virginia “Ginny” Mary Keeler (1932–2004) began working for Georgetown in 1953. She advanced to the position of Secretary of the University, the post which she held until her retirement in 1997. Seven years before she retired, she earned her master’s degree in liberal studies. Her chosen topic for her thesis was Brother Francis C. Schroen, S.J., the artist who decorated the building in which she worked. In her project proposal she stated, “It would be the focus of my project to endeavor to collect on slides what survives of his work, and to explore his life.” After her death, her research papers, including 150 slides of Schroen’s work, were donated to the Special Collections of Georgetown University Library where they now reside as part of the Manuscripts Collection. The exhibit was on display in Lauinger Library from January 30th – March 31st, 2006. A complete online version of the exhibit can be seen at: www.library.georgetown.edu/dept/speccoll/kerbs/schroen_06/.

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