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In celebration of the 50th anniversary of the Apollo 11 moon landing that took place on July 20th 1969, the Georgetown University Library is putting on an Apollo exhibition celebrating artwork that pays homage to the Apollo 11’s parking spot, otherwise known as, The Moon!
These selections were chosen from the Library's collections to help illustrate the variety of perspectives artists have had of the moon, as well as the concept of landing on it through a project such as the Apollo 11 mission.
Robert Rauschenberg - Banner (from the Stoned Moon series) Lithograph on paper 1972 38/100 1986.13.1 Art Collection Purchase
An artist known for his use of assemblage in his work, Raushbenberg was invited to the Apollo 11 launch by NASA. Afterwards, he created his Stone Moon Series in lithographs.
Banner, from the Stone Moon Series utilizes imagery and assemblage that creates an homage of Florida, and America’s contributions to the Space Race.
Nicholas Kahn - Earth's Gravity (from Apollo Prophecies series with Richard Selesnick) Pencil (graphite) and ink wash on tracing paper 2003 2018.24.18 Gift of Chris and Beverly With
After being just five years old when the first moon landing occurred, Kahn and Selesnick created the Apollo Prophecies. They employed their skills through photography and installation art, as well as their unique approach to fictitious histories.
Part of the Apollo Prophecies, Earth’s Gravity stands out as a raw representation of the vision that the two shared, as well as just how creatively fictitious their work can be.
Nancy Graves - Sabine D Region of the Moon (from Lithographs Based on Geologic Maps of Lunar Orbiter and Apollo Landing Sites series) Lithograph on Arches Cover white paper 1972 86/100 2018.27.2 Art Collection Purchase
Nancy Graves was a sculptor, painter and printmaker who had a strong interest in natural phenomena. Whether it was camels, or the moon, Graves was intent on displaying the wonder of such phenomena in her work.
Sabine D Region of the Moon is Graves’ attempt at an aerial view of the mapping of the moon, with the addition of a rich coloring which helps define the geography.
Zhang Ruiheng - Roaming Outer Space in an Airship Lithograph on paper 1979 (reprint of 1962 original) 2015.41.1 Art Collection Purchase
In what can be seen as a jab at the space race, Ruiheng’s poster illustrates the Chinese goddess of the moon, Chang’e, which points out that while many were fighting each other to be the first to land on the moon, China had already been there the whole time.
Warrington W. Colescott - The Great Moon Trip Etching on Paper 1972 38/100 1986.13.1 Art Collection Purchase
Warrington W. Colescott became very well known for his satirically driven etchings. Often creating works with rather absurd qualities to them, his work on The Great Moon Trip proves no different.
Whether it be the ducks driving cars, the unsettling family scene or the jarring differences between the drawing and photorealistic aspects, The Great Moon Trip is a great introduction into Colescott's work, as well as a fresh perspective on the Apollo 11 mission.
John Meigs - To The Moon Lithograph on paper 1969 5/250 2010.1.120 Bequest of Mona Dingle
After becoming considered one of the most regarded realist painters in the country, John Meigs became one of three artists invited to Cape Kennedy on the day of the Apollo 11 blast-off. Through his encapsulating work, the results of Meigs' experience with the Apollo event become clear in his work To The Moon.
Using a very simplistic toning through the shades of black and white, Meigs used contrast to make the blast-off pop and passively strengthen everything around it in the scenery.