We are currently installing new doors in the stairwell in Lauinger Library. During this time, visitors will not be able to use landings that are under construction, either to enter that floor or pass through en route to another. We encourage visitors to use the elevators, although the stairwell may still be used to access floors that are not under construction. Landings under construction should only be used in the case of an emergency.
Libraries & Spaces
The Hollywood Years: Music by Lew Pollack
Items in the Exhibition:
Lyrics by Charles Newman. [s.l., s.n., 1943?]
A preliminary Ditto version of the fair copy manuscript, probably done in a few copies to shop to publishers. A very politically incorrect war song, possibly never published.
Autograph lead sheet, dated December 26, 1942.
While the verse is almost identical to the later version shown at left the chorus of this preliminary effort is quite different; the verso of the sheet has a second try on it, closer to the “finished” composition.
Autograph lead sheet, after February 14, 1942.
Showing a relatively mature version of the song. The verso of the sheet, dated February 14, bears a preliminary version of the melody with very little connection to the published tune.
Lyrics by Sidney Clare and Herman Ruby. New York: Crawford Music Company, 1942.
An “artist copy” of the finished song, lacking the pictorial wrapper provided for copies intended for public sale.
Lyrics by Mort Greene. New York: Southern Music Publishing Company, 1944.
Introduced in the RKO film Seven Days Ashore. Not noticed on the Merchant Marine web site with the official service song and one other “competing” composition.
Lyrics by Charles Newman. New York: Sam Fox Publishing Company, 1944.
Nominated for an Oscar in 1945, losing out to Bing Crosby and Swinging on a Star. A stated “artist copy,” preceding the wrappered version for public sale.
Lyrics by Ned Washington. New York: Famous Music Corporation, 1942.
Contrary to what the front cover seems to say, this was not sung by John Wayne and Paulette Goddard in the film of the same name; instead, this is a piece acknowledged inside as “inspired by” the movie.